I grew up in Buenos Aires in a family of scientists and educators, people for whom knowledge was the way through, even when resources were limited. I studied industrial design at the public university (Universidad de Buenos Aires - FADU) and spent several years afterward working in project management, design coordination, and art direction, building the kind of practical delivery experience that most art schools don't teach.

A few years in Zermatt, working in hospitality and saving deliberately, gave me the space to redirect. I remembered the real reason I had studied design in the first place: I wanted to make large-scale installations. Not manage them. Make them.

That clarity sent me to BAU Barcelona, where my Master's in Design Research produced Rituals at the Shoreline of Identity, a mixed-media thesis installation exploring queer migrant embodiment through salt, water, and performance. I finished in June 2025. I am now running my own heartbeat through a machine learning synthesiser and developing a PhD research project on sonic embodiment under AI mediation.



I come with a background that doesn't fit neatly into one category: industrial designer, project manager, artist-researcher, someone equally at home with a methodology framework and a soldering iron. I think that's the point.

If something you're working on could use that kind of range, or if you're curious whether our work might make something together, I'd like to find out.